1) Basic
Training: Fall in, aspiring writers! This is
where you need to brush up on the basics. Not sure if
commas, a semi-colons and colons are punctuation points
or anatomical terms? Just what is an infinitive and why
shouldnt you split it? Does the word synopsis
sound worse than a chemical agent? Must read books that
will help you answer these questions are: Strunk and
Whites The Elements of Style; Dwight Swains
Techniques of the Selling Writer; Christopher Voglers
The Writers Journey; Debra Dixons GMC: Goal,
Motivation and Conflict; and Elizabeth Sinclairs
The Dreaded Synopsis: A Writing and Plotting Guide. Read
them.
2) Gear Up: Any good soldier needs
barracks and suitable supplies. You need a special place
thats yours alone. No matter if its a corner
in your bedroom, attic, or even basement, or a cushy room
with a view, set up a desk. Buy a secondhand or
top-of-the-line computer and printer or typewriter (no
dot matrix here, boys and girls). Invest in and learn
that word processing program that will spit out format
perfect material (1 margins all the way around,
with simple headers listing book title, author name and
page number in the upper left hand corner, and print in
12 point Courier). Invest in a dictionary, thesaurus, and
your own copy of Strunk and Whites The Elements of
Style. Now comes the fun part. Go bonkers at your local
office supply store. Stock your special place with all
those supplies that will make concentrating strictly on
writing easier.
3) Recon(naissance): Now its time
to scout out territory youd like to conquer. Which
publisher do you want to write for? Which series? Go out
and buy books from that publisher/line. Revisit any
keepers you have and analyze why they earned
precious shelf space. Give due respect to established
authors, but pay special attention to the newer authors
because its from them youll see what the
publisher is buying now. Then note which themes are
especially popular.
4) Arm Yourself: No, were not
talking actual implements of war here. Your most
effective weapon in this battle is your work. Push your
research books aside and give yourself over completely to
the process of writing. Set a schedule for yourself and
write, write, write. No weekend warriors allowed here.
Trust that everything youve studied is there, in
your subconscious, guiding you, and ignore the internal
editor for the time being. Pound out the first draft till
the very end. Call this battle the book attack,
holding no prisoners, allowing for no excuses. This is
where you prove youre capable of finishing a book.
Only when youve finished can you go back and
revise, revise, revise, polishing your baby until it coos
and shines, tempting an editor to pick it up.
5) Charge: Send your polished manuscript
out. With a self-addressed, stamped envelope. To an
editor. If youre so moved, also enter a contest(s),
but the ultimate test of any manuscript is with an
editor. Do your research, find out who the best editor is
to approach, know what they want to see (do they want a
query letter, sample chapters,
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synopsis?) then mail the
same to her attention, addressing her by name. Include a
self-addressed stamped postcard so the editor can let you
know shes received the material, and, worse case
scenario, return your manuscript (dealing with a Canadian
publisher? Send a check to cover return postage). Now,
settle back in your foxhole to wait.
6) Incoming: Unless youre an
exception to the rule, its gonna happen. Youre
going to get rejected. Back-slapping, military hugs if
you receive a form rejection letter or a letter that
reads something like I cant take your
material on at this time, because neither says
anything...yet says a lot. A good rule of thumb is, the
less said, the worse. The editor wasnt compelled to
give a more material-specific response. Ultimately, the
more thats said, the better. In these busy times,
if an editor writes a personal and/or detailed letter,
then youve completed your training well. Take heart
and surge ahead.
7) Send in the diplomatic corps: If the
editor wants to see your material again after revisions,
do those revisions and get the manuscript back to her
ASAP. No barracks rats allowed here. Youve now
entered the hand-to-hand combat stage of your career.
First, last and always, be professional. You want to
present yourself as someone the editor wants to work with
far into the future and let her know youd like to
work with her. And no matter what scuttlebutt youve
heard, the editor only wants the best for the book, as
well. Repeat that ten times.
8) Never send up the white flag: Even
the best laid plans will run into their share of snafus.
The editor didnt want revisions, or the rewrite
didnt work and youre ultimately rejected.
Additional books (print or audio) you may want to add to
your arsenal have to do with nurturing your creative
soul. Bird by Bird by Anne Lamott, The Artists Way
by Julia Cameron, Sarah Ban Breathnachs Simple
Abundance, and Richard Carlsons Dont Sweat
the Small Stuff...and Its All Small Stuff work
especially well at times like these. Youve lost the
battle, not the war. The first thing youll need to
do is write a brief thank you note to the editor. Show
her youre ever the professional and tell her you
plan to submit something else that may be more to her
liking soon. Then rush into your next book and get it to
her a-sap.
9) The only enemy is yourself: All too
easy, really. Imagining editors as unconquerable enemies
holed up in impenetrable fortresses. If you entertain
these visions, march straight back to Step One, Grunt.
Editors want to buy great material from new authors as
much as you want to sell it to them. No editor takes
pleasure in writing rejection letters. Theyll tell
you its the worst part of their job. The favorite
part of an editors job is buying a new author.
10) Victory: Hooha! Trust us, if you
follow these steps, always strive to grow as a writer and
person, and keep marching onward, you, too, will be
ultimately victorious. Good luck, and godspeed to each
and every one of you. Now, get back out on that
battlefield, Warriors!
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